Visit our Annual Exhibition Online Now!
Members Exhibitions to visit Autumn 2020
Exhibition 2020
Over 230 paintings, drawings & sculpture from over 90 committed amateur & professional artists. All work is for sale.
We are delighted to have an additional 10 professional guest artists joining us in this exhibition by special invitation.
Please return for the exhibition from 15th August 2020
Annual Exhibition August 2020
Check back here from 15th August for some of the finest art in the southwest from Bruton Art Society’s professional & amateur artist membership.
All work in the exhibition will have gone through a selection process & be for sale.
Members can submit work free – join here now
Art submission details Deadline 15th July 2020
BAS Annual Exhibition 2020 to be online
Our Exhibition is to go ahead this August – our first online exhibition.
We’re really looking forward to receiving, selecting & showing our members’ work to what we anticipate will be a much wider audience.
Artist members, this year, can enter work for the exhibition without submission fees or having to pay commission on sales. In other words it will cost them nothing except time!
Thinking of joining us? We have about 230 members which include amateur & professional artists. Every August you will benefit from the chance to show work with what has become a popular & regionally respected art society. Membership costs just £15 per annum
Portrait Painting/Drawing Challenge
Anthony Connolly RP was to run a portrait workshop for Summerleaze Gallery last week at East Knoyle, but as it couldn’t go ahead he sent daily images to would be participants & others over the 4 days & followed up with a critique of their work.
12 of our members enjoyed the challenge of these exercises.
Here are some examples of their work.
Our January Lecture
Trees in 19c British & American Art by Professor Christiana Payne
16 January 2020
Report by Will Vaughan
Christiana Payne, Professor of the History of Art at Oxford Brookes University, has had a distinguished career researching British landscape art and genre painting of the nineteenth century. In recent years she has been exploring the representation of trees and the significance that they had for artists and amateurs in the period. Her recent book, Silent Witnesses; Trees in British Art 1760-1870, focussed on the work of British Artists, but in this lecture she extended the theme to cover American artists of the period as well.Perhaps it was as a reaction to the growing urbanization caused by the Industrial Revolution that artists in the late eighteenth century became increasingly involved in representing the natural world. Trees particularly
Christmas Lecture 2019
‘Winter Landscapes’ by Colin Wiggins
11 December 2019
Report by Will Vaughan
Once again the Bruton Art Society has enjoyed the pleasure of a talk by Colin Wiggins, former lecturer and curator of special exhibitions at the National Gallery. Colin is well known for the high quality of his lectures, in which he combines entertainment and information in his own unique manner. Last time he spoke to us four years ago, he told of his activities at the National Gallery, in which he encouraged leading contemporary artists like Peter Blake, Sean Scully and Paula Reago to produce works that engaged with major works in the Gallery’s collection. This time he was inviting us to look again at the seasonal theme of Winter Landscapes, with a particular emphasis on snow scenes.
He took us from the earliest representations of snow in the late middle ages – in such exquisite works as the Tres Riches Heures of the Duc de Berry – to fascinating colour explorations of Monet and other Impressionists. He also brought in treatments outside the European tradition, in particular the marvellous winter scenes of Japanese woodcut artists like Hokusai.
Drawing lessons in Queen Camel
New BAS member – Portrait artist Alanna Barker is offering art lessons in Queen Camel near Yeovil
Jackie Curtis Workshop
Monoprinting & Ghost Plates 7 – 8 November
Printmaker Jackie Curtis gave 12 of our members a really informative & enjoyable couple of days at Hadspen Hall with lots of demos & guidance. She also worked tirelessly turning the press!
It was amazing to see how feathers, leaves, fabrics, leather, string & all sorts of other unlikely stuff can produce such beautiful monoprints. Many such prints were produced by the group; some really stunning.
It was a really worthwhile couple of days and we may well see some of the results from this workshop in our next exhibition!
